An activist group has stated to have harvested millions of songs from Spotify and is getting ready to release them publicly.
Industry experts said the seeming leak could aid artificial intelligence firms looking for material to train their technology.
An entity called Anna’s Archive reported it had obtained 86 million music files from the platform and 256 million entries of associated data such as performer and record names. The company, which carries more than 100 million songs, stated that the leak did not represent its entire inventory.
“We have located and deactivated the nefarious user accounts that engaged in illegal scraping,” stated a company representative.
The Stockholm-based company, which has more than 700 million subscribers worldwide, further explained that an inquiry into unauthorized access found a external actor scraped public metadata and used illicit methods to circumvent DRM protections.
Spotify does not believe the audio taken by Anna’s Archive has been released yet. Anna’s Archive, which is known for providing links to copyright-infringing books, said in a blog it wanted to create a ‘preservation archive’ for music.
They asserted the audio files represented 99.6% of all music listened to by its listeners and would be shared via ‘torrents’, a means of exchanging large digital files online.
“Of course Spotify doesn’t have all the music in the world, but it’s a great start,” commented Anna’s Archive, which describes its purpose as “preserving humanity’s knowledge and culture”.
A composer and campaigner for protecting artists’ rights, remarked the leaked music would likely be utilized for training artificial intelligence systems.
“Educating models on illegally sourced material is sadly widespread in the tech sector, so this accessed music is almost certain to end up instructing AI models,” he stated.
The Anna’s Archive site alludes to LibGen, a vast online repository of pirated books that has allegedly been leveraged by Meta to train its AI models.
The co-founder of an AI startup wrote on LinkedIn that members of the public could in theory “build their own personal free equivalent of the service”. He added it could also enable tech companies to “train on contemporary music at scale”.
Intellectual property law has become a key issue between creatives, authors and content creators on one side and tech giants on the other.
Across Britain, artists and writers have raised concerns against a ministerial proposal to allow AI companies use protected work without permission unless the owner signals. Almost every respondent to a government call for evidence on the idea has supported artists’ apprehensions.
The secretary of state for technology, research and development informed parliament this month there was “little consensus” on the issue, noting that ministers would “use the time to get this correct”. The government has pledged to make policy proposals on AI and copyright by March 2025.