Dave Ball, one half of the innovative 1980s synth-pop band Soft Cell, has died at the age of 66.
Together with vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.
He later formed the pioneering techno group The Grid, who secured chart success with their 1994 single Swamp Thing.
Ball died calmly in his sleep at his residence in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.
During that show, Ball performed in a wheelchair, as he had for the previous couple of years, after a spate of health issues.
"I ended up damage myself quite a bit," he commented in 2023. "I broke spinal bones in my spine and fractured about five ribs and broke my wrist."
After catching a lung infection and suffering from sepsis, he was put in an medically-induced sleep and remained in hospital for seven months.
However, he had been in "a great place mentally" over the warmer months, as he worked on a new album with Almond, titled Danceteria, which is set for publication in the coming year.
"He was focused and very pleased with the new album that we literally completed only a few days ago," said the vocalist in a heartfelt message.
"It's so sad as 2026 was completely planned to be such an uplifting year for him, and I find comfort from the knowledge that he heard the finished record and felt that it was a great piece of work."
Almond described his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.
"Thank you Dave for being an significant part of my existence and for the songs you gave me. I wouldn't be where I am without your influence."
His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".
"Forming a partnership with someone is different from being in a group, the bond is incredibly close," he continued.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable experiences together. Many thanks, Dave."
Brought into the world into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was a year and a half old.
He grew up in the seaside town with his new family Donald and Brenda Ball, who altered his first name from his birth name to David, together with his sibling his sister, who was also adopted.
He met Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a mutual passion of a music genre, they formed Soft Cell the same year, and quickly recorded an extended play.
The duo were an distinctive pairing: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant showman, all sparkle and eye-liner; but they attained a unique musical alchemy.
Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk perform on BBC program Tomorrow's World, and began to combine dark electronica to the catchy tunes Almond was writing.
Their signature song became the United Kingdom's second biggest-selling single of 1981, selling 21 million units worldwide. Together with hits by other artists, contemporary bands and Ultravox, it contributed to cleared the way for the synth-pop sound of the 1980s.
The song was also included on their first album, Non-Stop Erotic Cabaret, which produced two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.
They followed the album up with the separate release, Torch, which reached at the second position in the following year.
Success had its benefits. "I loved being able to afford my initial property, having financial security and exploring, which makes me sound like a Miss World," Ball recently told with a publication.
But it also presented problems. "Newfound wealth allowed we could afford newfound drugs to alleviate the boredom" of media interviews and TV performances, Ball explained.
"I realize that's a cliché, but it's a cliché for a valid cause, because it applies for so many bands."
Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to create a follow-up memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.
They put out another LP, 1984's This Last Night In Sodom, before ending the group to focus on other projects.
Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting collaboration.
Soft Cell reunited in 2001, producing the charting record Cruelty Without Beauty.
After another break, they reappeared in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on September 30, 2018.
Yet, they stayed together, creating their latest project, Happiness Not Included, during the 2020 restrictions.
Ball lately characterized the duo's new album as a tribute to the NYC nightlife they frequented while recording their first two albums.
He added that his time in medical care had shaped the group's music.
"I had strange recollections when I was coming and going of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the sounds in my head from those days.
"In parallel, it's about the times me and Marc got up to in the 80s."
The last versions were finished only days before Ball passed away. It is scheduled for release in Spring 2026.